Different types of compressor flavors will need different approaches. The Keeley one o'clock starting point is good, but for that pedal. So there's plenty of variables here, but this is where it gets fun because there's no rule trust your ears with different guitars and experiment. Less (quicker) attack means a spankier sound, more will be softer. The sustain sets the level a note is held at, while the release control decides how long it effects the note – longer release means more sustain time.Īttack controls how much of the initial peak (the transient) of the note being played comes through. The higher the ratio, the more aggressive the compression. A ratio control is also linked to this in a more visual way you decide how aggressive the compression is, measured in ascending ratios. The level limits your signal, and the level or threshold control on the pedal sets when it kicks into your sound. Within the extremes is the opportunity to set it to find a balance as a general tone enhancer one that delivers more consistency to your tone.Ĭompression pedals have different controls dependent on model but some common ones help to explain how compression can be manipulated for your needs. In this way it can be used to make your playing sound more even. It reduces the peaks of loudness, but also enhances the quiet parts of your playing. You can set the threshold of when and how it kicks in and the extremes of your signal that it compresses or accentuates. A compressor is a volume limiter in its simplest form but one you control.
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